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Early British popular music
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Early British popular music : ウィキペディア英語版
Early British popular music

Early British popular music, in the sense of commercial music enjoyed by the people, can be seen to originate in the 16th and 17th centuries with the arrival of the broadside ballad as a result of the print revolution, which were sold cheaply and in great numbers until the 19th century. Further technological, economic and social changes led to new forms of music in the 19th century, including the brass band, which produced a popular and communal form of classical music. Similarly, the music hall sprang up to cater for the entertainment of new urban societies, adapting existing forms of music to produce popular songs and acts. In the 1930s, the influence of American Jazz led to the creation of British dance bands, who provided a social and popular music that began to dominate social occasions and the radio airwaves.
==Broadside ballads==
(詳細はballads were arguably the first form of commercial popular music in Britain. They were a product of the development of cheap print from the 16th century. They were generally printed on one side of a large sheet of poor quality paper. This could also be cut in half lengthways to make ‘broadslips’, or folded to make chapbooks.〔G. Newman and L. E. Brown, ''Britain in the Hanoverian Age, 1714-1837: An Encyclopedia'' (Taylor & Francis, 1997), pp. 39-40.〕 They were produced in huge numbers, with over 400,000 being sold in England annually by the 1660s.〔B. Capp, ‘Popular literature’, in B. Reay, ed., ''Popular Culture in Seventeenth-Century England'' (Routledge, 1985), p. 199.〕 Many were sold by travelling chapmen in city streets or at fairs.〔M. Spufford, ''Small Books and Pleasant Histories: Popular Fiction and Its Readership in Seventeenth-Century England'' (Cambridge University Press, 1985), pp. 111-128.〕 The subject matter varied from what has been defined as the traditional ballad, although many traditional ballads were printed as broadsides. Among the topics were love, religion, drinking-songs, legends and early journalism, which included disasters, political events and signs, wonders and prodigies.〔B. Capp, ‘Popular literature’, in B. Reay, ed., ''Popular Culture in Seventeenth-Century England'' (Routledge, 1985), p. 204.〕

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